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fastcompany:

As “Mad Men” moves further into the 1960s, Jennifer Getzinger, who directed tonight’s two-hour season premiere, hints at changes—in characters, sets, and of course, costumes—to come this season.

“We put so much time and care and love into the design of these sets and the design of these clothes and the hair and these people that the frame is going to look full and rich. You don’t have to do some fancy camera move to try to add some excitement. So we try to really let things play in very classic ways. It is about finding these great graphic frames. There are so many amazing lines in the design of the sets. Especially the office. But a lot of [our] sets have that. We shoot a little lower [than most television shows] and so we always have ceilings—fantastic ceilings—so you can get these really beautiful, graphic shots. You’d be surprised how many sets don’t have ceilings.”

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fastcompany:

As “Mad Men” moves further into the 1960s, Jennifer Getzinger, who directed tonight’s two-hour season premiere, hints at changes—in characters, sets, and of course, costumes—to come this season.

“We put so much time and care and love into the design of these sets and the design of these clothes and the hair and these people that the frame is going to look full and rich. You don’t have to do some fancy camera move to try to add some excitement. So we try to really let things play in very classic ways. It is about finding these great graphic frames. There are so many amazing lines in the design of the sets. Especially the office. But a lot of [our] sets have that. We shoot a little lower [than most television shows] and so we always have ceilings—fantastic ceilings—so you can get these really beautiful, graphic shots. You’d be surprised how many sets don’t have ceilings.”

Read on->

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